what we
actually do.
Whole‑project architecture for private homes, boutique hotels, and small commercial sites. Schematic through construction administration.
Interior architecture, custom joinery, lighting design, and a curated furniture programme — selected and, where needed, drawn by the studio.
Adaptive reuse of bauhaus, templer, and stone shells — restoring what was, removing what wasn't, and adding very little.
Short, focused consultancies for operators and developers — a palette review, a programme stress test, a hospitality second opinion.
פרויקטים נבחרים.
A current selection — residential, hospitality, and commercial. Drag photographs onto any plate to populate the grid.
a small studio
for slow rooms.
The practice was founded in Tel Aviv in 2018 around a single idea: that a well‑made room should feel inevitable — neither showy nor humble, simply right for its inhabitants and its site.
The studio works across residential, hospitality, and considered commercial projects in Israel, Italy, and France. Each commission begins with a long site visit, several walks, and a working palette of materials — oak, lime plaster, brushed brass, linen, travertine — sourced as close to the site as the brief allows.
Dolev studied architecture in Tel Aviv and Milan and worked across two boutique practices in Italy before returning to found this studio. The studio is intentionally small — four people, one room — and takes a limited number of commissions a year.
ארבעה עקרונות שאנחנו לא שוברים.
site first.
A project belongs to its site before it belongs to anyone. We walk it, photograph it at three hours of the day, and let the plan emerge from what was already there.
few materials.
A room with three considered materials reads more luxurious than one with eleven. The palette is the first thing we lock and the last thing we add to.
light, not lighting.
Daylight is the first fixture. We design every plan around how morning, midday and evening fall through it — and add electric light only where the day cannot reach.
ageing, not finishing.
The studio specifies materials that improve with time — oak that pales, brass that warms, plaster that softens. A room should look better in ten years than on the day it is photographed.