A secluded residence framed by olive trees and vineyards. Expansive openings filter daylight through linen, oak, and lime‑washed stone — the plan unfolds slowly from the courtyard inward.
A 1930s Bauhaus shell restored to its original proportions. We removed decades of additions, returned the ribbon windows, and let three materials carry the whole apartment.
A narrow corner space rebuilt around three materials: oak, mortar, brass. The counter steps with the slope of the street and the room reads as one continuous gesture.
A cliffside hotel of eleven rooms terraced into the rock. Each room frames a single view of the sea; the circulation is a slow descent through shaded stone and citrus.
A beachfront house organised around light and salt air. Low horizontal volumes settle into the dune; interiors stay pale and quiet so the sea remains the loudest thing in the room.
A ceramicist’s studio and small shop in an old Jaffa stone shell. Work, display, and storage share one room divided only by light, a long oak bench, and the kiln’s heat.
